With Starting To Sync In, Eric Selby delivers a richly textured and adventurous EP that blends alternative folk, psychedelic rock and soulful Americana.
Known for his intricate songwriting and multi-instrumental prowess, Selby continues to re-define his sound. Recorded between Virginia and Nashville, this collection of five tracks displays his journey as an artist, as he continues to explore folk inspired storytelling while embracing expansive musical influences.
There’s something about Brooks John Martin’s new single “Clear Blue Waters” that hits a little deeper right now.
Maybe it’s the haunting stillness of the song, or the way it feels like a quiet reprieve from the chaos.
it couldn’t have come at a more poignant moment, especially in the wake of California’s recent wildfires. The song itself, gentle and introspective, now finds an even more profound dimension with the release of its accompanying music video, filmed along the iconic Pacific Coast Highway.
Julie Haven’s “Between the Lies” is a gut-wrenching, no-holds-barred dive into the pain and confusion of emotional abuse.
It’s a deeply personal story about losing yourself in a toxic relationship and fighting to find your way back. With its raw lyrics and haunting piano melody, Haven captures what it feels like to be broken down and made to question your own worth, all while clinging to the hope that you’re more than the lies you’ve been told.
The Holiday Ramblers’ latest single “Deep in the Bayou” feels like stepping into a forgotten world where shadows stretch long and the air is thick with untold stories. Released today, their new single is an evocative journey beckoning you to wander through its winding paths to embrace the unknown.
Rooted in history, “Deep in the Bayou” was first written by Wil Medica in 1998 during the A Stillwater Satellite era.
Re-arranged some 15 years ago by Timothy Gannon, the song remained something of a dormant treasure – unrecorded, unperformed, and waiting for the right moment. That moment has finally come, with The Holiday Ramblers breathing life into it with their signature sound, transforming it into a rich, haunting narrative.
Harriet Reynolds’s holiday single “Got the Holiday Spirit” is an instant seasonal classic that radiates warmth and joy.
Co-written with the talented NYC artist Li Mann, the song blends Harriet’s Americana roots with a festive, toe-tapping rhythm perfect for getting you in the holiday spirits.
Blonde & Grey’s latest album “Drifting Through The Universe”, feels like a celestial journey that starts in the heart and drifts outward to the stars.
With their unique blend of folk, classic rock, and introspective storytelling, this Connecticut-based duo deliver an 11 track collection that is as grounded in human experience as it is lofty in its aspirations.
Singer songwriter Stephen Jaymes returns with a gripping new single “The Evidence Against Her”.
This is a haunting follow-up to his recent single release “Saving Daylight”, timed perfectly for the eerie ambiance of the autumn season.
“The Evidence Against Her” is the sixth from his upcoming debut LP “King Jaymes”, which explores the unnerving psychological landscape of a man who believes that his Jungian anima, or his spiritual muse, has turned against him. In typical Jaymes fashion, the song is emotionally charged and rich in lyrics, bringing listeners into a stormy world of self-reflection and internal struggle.
Faint Halos’ “I Can See a Million Lights” is a bold album that marks a new creative peak for Paul Hashemi.
As the singer-songwriter, producer, and multi-instrumentalist behind the project, Hashemi delivers an album that balances stripped-down acoustic intimacy with moments of sweeping cinematic scope. The result is a record that feels grounded in personal experience while daring to explore larger universal themes.
Jason Sinay’s latest single “Play It Alone” arrives like a breath of fresh air, with the deep and introspective tones that fans of heartland rock have come to love. Known for his work as the guitarist for Mike Campbell’s Dirty Knobs and collaborations with music legends like Keith Richards and Neil Young, Sinay’s transition to […]
Gretta Ziller’s latest single, “Hell’s Half Acre,” marks a haunting return to the moody, atmospheric storytelling that has become a signature of her unique brand of Americana.
With its slow, deliberate tempo and rich, layered instrumentation, the song transports listeners to a gritty world of desert landscapes, restless love, and ominous undertones.
Damian Cafarella who produced the track, provides the perfect musical backdrop, bringing together banjo, slide guitar, baritone guitar, and drums to create a soundscape that feels both expansive and intimate.
