In life, we find that the beauty of connection is often shadowed by the pain of loss, and the enduring nature of love is contrasted by the fleeting moments of existence. This duality – the interplay of light and darkness – is at the heart of Sexy Mathematics. Chris Daviduik (guitar, vocals, songwriting) and Matt Aggus (drums) have forged a unique musical bond over the years. Originally formed in 2009, the band began as a synth rock group known for their intense, emotive soundscapes. Over time, their music has evolved, mirroring the complexity of the world around them and their own growth as artists.
The band’s new self-titled album, Sexy Mathematics, is a testament to their evolution. It delves into themes of personal relationships, loneliness, despair, existential crises, and the anxiety about an uncertain future. This record represents a significant leap for the band, who decided to hire producer Stephen Krecklo and mixer Jordon Zadorozny to elevate their music to new heights. The result is a compelling blend of their rock foundations and modern digital synthesizers, creating a rich, atmospheric sound that is both intricate and powerful.
“Responsory” draws stylistic inspiration from The Cure’s “Lovesong,” while its lyrics reflect the resentment we often feel when forced to navigate societal pressures alongside those we disagree with—or even loathe—despite being unable to fully express ourselves, even to those we hold dearest. No matter how close or distant we are, an invisible barrier always seems to obstruct true understanding. Each generation grapples with these struggles, only to pass the burden to the next without any lasting resolution. Even in the face of existential crises like climate change, the cycle persists.
We spent our time working on and refining these songs to bring them all to a level that exceeds the work we’ve done previously, and I believe we’ve succeeded in that respect. The sound is more cohesive, the arrangements are tighter, the melodies are more interesting, and the performance is more polished. At the same time we’ve retained many of the core elements that make the music unique in the first place related to the style of the performance and lyrical content. – Chris Daviduik