Scranton-based, alternative experimentalist, Clyde Rosencrance, has released his debut EP as Sleeplore.
“Sleeplore” (self-titled) builds upon the success of previously released singles, which caught the ear of outlets like ‘Alternative Press’, with an EP that collectively embodies the origination of the Sleeplore sound. The EP was completed with the help of multi-Grammy award winning mastering engineer Brian Lucey. The EP also features multi-platinum artist Anthony J. Resta and several other guest performers.
In this interview spotlight, I chat with Sleeplore about the latest release, adapting during a pandemic, technology and more.
Full Q&A along with links and music below.
Where are you from and how do You describe your style of music?
I’m based in the northeastern part of Pennsylvania, near Scranton. I would describe the Sleeplore sound as enveloping and experiential. There are simple rock song structures, but with a production that really draws the listener in.
How did you get here? As in, what inspired or motivated you to take on this journey through music and the music biz?
I’ve been playing music for a long time. I’ve toured in bands across the US, and have done quite a bit of recording. Years back, after writing a lot of songs and forgetting them, I decided to get into recording music as well. I began working at a studio and went through a training program that a learned a lot from. I worked there for several years and ultimately went on to freelance through other studios and my own. I’ve always loved that part of the process – creating sounds and documenting those experiences. That plays a large part in this project too.
How does your latest project compare/contrast with your previous release(s)? Were you setting out to accomplish anything specific, follow a specific theme, or explore different styles of creation?
I would say that this project is heavier on the production end in terms of elements that I like to experiment with in the recordings. It’s also really from the heart. Some of the projects I’ve been in previously had a certain goal in mind of a sound, whereas this is sort of just more instinctive and less work. Each song I’ve released so far has definitely had a different sound, but that’s part of the fun. Being able to weave together these different sounds and find commonalities between them.
Name the biggest challenge you faced as a creative during these unprecedented? How did you adapt? How have you kept the creative fires burning during all this?
One of the biggest challenges I’ve had with this project in the past is time. I’ve always put other projects ahead of my own. When I set out to release music under the Sleeplore moniker, I made that a priority. I would say one challenge more recently has been the inability to get together in person to write and record, but it’s also been a great opportunity to collaborate remotely. While it’s a small cohort, I’ve had people from different parts of the world contribute to this project.
What was the last song you listened to?
Infinite Sustain – Amaranth Cove
Which do you prefer? Vinyl? 8-tracks? Cassettes? CDs? MP3s? Streaming platforms?
I do like the convenience of streaming, but from an experiential standpoint much prefer a physical medium. Anything you can hold in your hands and connect with is good.
Where is the best place to connect with you and follow your journey?
You can find me on Instagram – @Sleeplore.music & Facebook at https://facebook.com/sleeplore
Also at https://sleeploremusic.com/ for merch and other info
I really appreciate Your time. Anything else before we sign off?
I really appreciate all the support everyone has given me so far with this project. I have so much more planned for the future, including a few brand new songs for the first half of 2022 that are almost ready so stay tuned!
