Faint Halos’ “I Can See a Million Lights” is a bold album that marks a new creative peak for Paul Hashemi.
As the singer-songwriter, producer, and multi-instrumentalist behind the project, Hashemi delivers an album that balances stripped-down acoustic intimacy with moments of sweeping cinematic scope. The result is a record that feels grounded in personal experience while daring to explore larger universal themes.
Listen in here:
From the opening track, “The Miracle Comes”, the tone is set with a bright and anthemic song. Hashemi’s introspective vocals blend beautifully with strong drum rhythms. “Last Scenes of the Resistance” has a much more subdued feel.
Themes of sacrifice and hope pervade this song: “Dedicate monuments / To the great counterfeits / It’s a blessing, it’s a bet” warns singer Paul Hashemi as he narrates the story of a resistance fighter leaving home for what is likely the last time.
“I had a specific story in mind when I wrote this,” he says, “but unfortunately the story is maybe too relevant in a lot of places – you fight against oppression for a better future for those you love, but maybe at the cost of having you in it.”
“Something To Lose” is a re-imagined, acoustic version of one of Hashemi’s previous rock tracks. Here, the song sheds its original electric energy, opting instead for a raw and vulnerable approach. Delicate vocal harmonies with daughter Cate create a familiar intimacy that permeates this song. There is a subtle use of unconventional instruments – a sofa re-purposed as a kick drum shows Hashemi’s creativity or finding artistry in the ordinary.
“Skyline Hill” is a standout song on the album, whisking the listener to the heart of Philadelphia. The delicate eBow guitar lines and sparse arrangements evoke the quiet majesty of a summer night in the city. Hashemi’s lyrics navigate the intersection of memory and place, exploring how we find our sense of belonging in both the familiar and the fleeting. The song’s minimalist beauty really highlights Hashemi’s skill in conveying deep emotion with just a few carefully chosen elements.
While much of the album dwells in introspection, tracks like “Disaster” bring a more dynamic energy. Starting off with delicate fingerpicked guitar, the song builds into a stormy crescendo, reflecting the emotional turbulence within its lyrics. Hashemi’s vocals are raw and unadorned, laying bare the vulnerability of lines like, “I’m losing grip, it’s getting hard to stay intact.” The song’s shifting intensity shows his ability to balance softness with force.
“Wasted on Youth” is a reflective ballad that captures the bittersweet passage of time. The song’s soaring chorus, tinged with both regret and hope, mirrors the tension between the choices made in youth and the wisdom gained with age. This theme of looking back while moving forward runs throughout the album.
“I can see a million lights” is an album that feels timeless yet deeply rooted in the present moment. Hashemi’s blend of folk, rock, and experimental touches creates a sound that is both expansive and intimate. It’s an album that rewards close attention, repeated plays, and offers layers of meaning beneath its lush, atmospheric surface.
With over 100,000 streams on Spotify to date, “I can see a million lights” proves that Faint Halos is a project with both heart and staying power.
Stay up to date with Faint Halos here:
Website // Facebook // Instagram // Spotify // Soundcloud // YouTube Music
